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Cinematic Terror takes a uniquely long view of filmmakers' depiction of terrorism, examining how cinema has been a site of intense conflict between paramilitaries, state authorities and censors for well over a century. In the process, it takes us on a journey from the first Age of Terror that helped trigger World War One to the Global War on Terror that divides countries and families today.

Tony Shaw looks beyond Hollywood to pinpoint important trends in the ways that film industries across Europe, North and South America, Asia, Africa and the Middle East have defined terrorism down the decades. Drawing on a vast array of studio archives, government documentation, personal interviews and box office records, Shaw examines the mechanics of cinematic terrorism and challenges assumptions about the links between political violence and propaganda.

• Sales Rank: #1665397 in Books
• Published on: 2014-11-20
• Released on: 2014-11-20
• Original language: English
• Number of items: 1
• Dimensions: 9.06" h x .79" w x 6.20" l, .0 pounds
• Binding: Paperback
• 328 pages

Review

“Cinematic Terror sets out the main contours of portrayals of terrorism in the cinema, and delves deeply into the complex relationship between terrorism, filmmaking, and public opinion.” –Susan Ryan, Cineaste

“Terrorism is central to the international politics of our age. The mass media are central to terrorism. Given these two facts it is surprising that scholars have failed to delve deep into the treatment of terrorism by the most potent mass media of the past century: the cinema. Until now, that is. In this path-breaking book Tony Shaw opens the history of the representation of terrorism in global feature film. Shaw moves deftly across time, geographical space and genre with a series of well-chosen and flawlessly executed case studies. The films considered range from masterpieces by some of the greatest directors of all time, including Alfred Hitchcock himself, to crude exploitation flicks by way of blockbusters, epics, art house and even Bollywood. With meticulous research, unfailing insight and scrupulous balance and objectivity Shaw is an eloquent and insightful guide to this important subject. Seasoned scholars, students of film and security issues and general readers alike will find much to compel attention and provoke further thought in this important book.” ―Nicholas J. Cull, Professor of Public Diplomacy, Annenberg School for Communication and Journalism, University of Southern California, USA

“An excellent account of the long history of terrorism as depicted on film―a major contribution to the field. Tony Shaw does a fine job not merely in introducing and scrutinizing the discussed movies, but in placing those movies and similar ones, their creators, their supporters, their opponents, and their audiences into the political, sociological, and cultural domestic and/or global contexts of their respective time periods. Most striking is the extent to which cinematic terrorism has related at all times to real life violence of this sort and, taken together, has provided more diverse and compelling portrayals of terrorists, their grievances, and their motives than one would find over time in news media reports. ” ―Brigitte Nacos, Journalist, Author, and Adjunct Professor Political Science, Columbia University, USA

“Tony Shaw has produced an important and ground-breaking study of how cinema has represented international terrorism from the start of the twentieth century to the present. What particularly stands out about this excellent book is the breadth of its coverage and the historical rigour that Shaw brings to his subject. Cinematic Terror is both a highly original piece of film-historical scholarship and a very timely work that has relevance to the world today.” ―James Chapman, Professor of Film Studies, University of Leicester, UK, and editor of the Historical Journal of Film, Radio and Television

About the Author

Tony Shaw is Professor of Contemporary History at the University of Hertfordshire, UK. He is an internationally-recognized expert in the fields of history, film and propaganda.

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[S896.Ebook] Download American Decades: 1930-1939, by Victor Bondi

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Intended as a reference source for American social history, this volume discusses the people, events and ideas of the 1930s. After an introductory overview and chronology, subject chapters follow with subject-specific timelines and alphabetically arranged entries.

• Sales Rank: #2562235 in Books
• Brand: Gale
• Published on: 1995-09-08
• Released on: 1995-09-08
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.22" h x 1.68" w x 8.73" l, 4.35 pounds
• Binding: Hardcover
• 624 pages

Features

• Used Book in Good Condition

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Good book
By christinefs
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* Lucid and accessible style makes the series appealing to the general reader
* Liberally illustrated throughout with stills from the film under discussion.
* Collaboration between Cork University Press and the Film Institute of Ireland.

Between the première of Brian Friel’s stage play "Dancing at Lughnasa" in 1990 and Pat O’Connor’s cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as "Riverdance", "Angela’s Ashes" and an international vogue for all things Irish. Set in 1936, "Dancing at Lughnasa", as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel’s play and their cinematic counterparts

• Sales Rank: #2219131 in Books
• Brand: Brand: Cork University Press
• Published on: 2003-10-13
• Original language: English
• Number of items: 1
• Dimensions: 7.66" h x .28" w x 5.34" l, .35 pounds
• Binding: Paperback
• 98 pages

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• Used Book in Good Condition

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The son of the god must take her rightful place on Egypt's throne. Hatshepsut longs for power, but she is constrained by her commitment to maat – the sacred order of righteousness, the way things must be. Her mother claims Hatshepsut is destined for Egypt's throne – not as the king's chief wife, but as the king herself, despite her female body. But a woman on the throne defies maat, and even Hatshepsut is not so bold as to risk the safety of the Two Lands for her own ends. As God's Wife of Amun, she believes she has found the perfect balance of power and maat, and has reconciled herself to contentment with her station. But even that peace is threatened when the powerful men of Egypt plot to replace her. They see her as nothing but a young woman, easily used for their own ends and discarded. But she is the son of the god Amun, and neither her strength nor her will can be so easily discounted. As the machinations of politics drive her into the hands of enemies and the arms of lovers, onto the battlefield and into the childbed, she comes face to face with maat itself – and must decide at last whether to surrender her birthright to a man, or to take up the crook and flail of the Pharaoh, and claim for herself the throne of the king. Libbie Hawker's saga of the Thutmoside dynasty continues with The Crook and Flail, the anticipated sequel to The Sekhmet Bed.

• Sales Rank: #431177 in Books
• Published on: 2015-03-18
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .72" w x 6.00" l, .94 pounds
• Binding: Paperback
• 288 pages

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27 of 28 people found the following review helpful.
Well Researched and Finely Drawn
By docmcr
This is the second of L.M. Ironside's novels about the women of Ancient Egypt. This one tells the story of the great Egyptian Pharaoh Hapshetsut, a powerful woman who seized the throne and held it for decades, leaving a remarkable legacy of peace and order, as well as a Renaissance of Egyptian Art and Architecture. On her death, the powers that hated having to endure female rule effaced her memory, by literally destroying all images and words referring to her. Ironside's previous novel The Sekhmet Bed told an imaginative history of how Hapshetsut came to be positioned for the crown, following the lives of her mother Ahmose and Aunt Mutofret. Though that novel is mostly fantasy, both books pay such meticulous attention to the details of daily life, and are so well rendered, that the reader feels as if she's had a total immersion experience. It's hard to believe Ironside couldn't find a publisher for these excellent books. Thank goodness we now have the internet to give us a direct line to good literature instead of having to content ourselves with the vapid trash that makes it through the publishing process these days.

11 of 11 people found the following review helpful.
Pleasantly Surprised
By Miss-Fit
I'm going to be honest: When I judged this book by its cover (yeah yeah...), I thought it was going to be garbage. I figured it was going to be either over the top romance bordering on porn, like many disappointing historical novels I've read, or it was going to be some editor's nightmare full of errors like other independently published books I've attempted to read.
No, this is not bland ancient Egyptian erotica, and it is very well written and edited. I love historical fiction, and this book hit the spot. I was completely immersed in the story and wanted to continue living in the fantasy world created by the author, so logically bought the sequel.
This book changed my perception of independently published novels, and was a completely enjoyable read that I couldn't put down.

8 of 8 people found the following review helpful.
Coming into her power...
By Suzan Harden
To me, Hatshepsut is one of the most fascinating women in history. She ruled Ancient Egypt at the height of its power. First alone, then as co-ruler with her step-son (possibly nephew) Thutmose III. There's growing evidence that shows she may have ruled the country in her brother/husband Thutmose II's name.

This volume is The She-King saga covers the reign of Thutmose II. Again, sibling rivalry is at the forefront of the story, but it pits Hatshepsut against those who would use Thutmose II for their own poilitcal agenda. Ironside not only brings in the old speculation that Hatshepsut's vizier Senemut was also her lover (I'm in that camp; for a man of Senemut's standing not to be married insinuates a lot), but suggests she is bisexual. The scenes between Hatshepsut and Iset are sweet and tender as the queen tries to protect the girl from the machinations of her own family.

Ironside's detailed research shows as well. The worship of Aten existed long before Ahkenaten's time, and the writer uses the political battle between one of Egypt's governors, a follower of Aten, and Hatshepsut, a follower of Amun, to foreshadow the purge during the Amarna Period.

All-in-all a terrific story that I highly recommend.

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Asian - Australians have often been written about by outsiders, as outsiders. In this collection, compiled by award - winning author Alice Pung, they tell their own stories with verve, courage and a large dose of humour. These are not predictable tales of food, festivals and traditional dress. The food is here in all its steaming glory - but listen more closely to the dinner - table chatter and you might be surprised by what you hear. Here are tales of leaving home, falling in love, coming out and finding one's feet. A young Cindy Pan vows to win every single category of Nobel Prize. Tony Ayres blows a kiss to a skinhead and lives to tell the tale. Benjamin Law has a close encounter with some angry Australian fauna, and Kylie Kwong makes a moving pilgrimage to her great - grandfather's Chinese village. Here are well - known authors and exciting new voices, spanning several generations and drawn from all over Australia. In sharing their stories, they show us what it is really like to grow up Asian, and Australian. Contributors include: Shaun Tan, Jason Yat - Sen Li, John So, Annette Shun Wah, Quan Yeomans, Jenny Kee, Anh Do, Khoa Do, Caroline Tran and many more.

• Sales Rank: #7458385 in Books
• Published on: 2015-03-16
• Released on: 2015-03-16
• Format: Large Print
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.21" w x 7.75" l, 2.05 pounds
• Binding: Paperback
• 536 pages

About the Author
Alice Pung is a writer and lawyer whose work has appeared in the Age, Good Weekend, The Monthly and Meanjin. Her first book, Unpolished Gem, has become a national bestseller and has been published under various imprints around the world. It was shortlisted for the Victorian Premier's Literary Awards, the NSW Premier's Literary Awards and the Age Book of the Year Award, and won the 2007 Newcomer of the Year Award in the Australian Industry Book Awards.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A great book dealing with a sense of identity and belonging
By StriveForExcellence
A deep and meaningful insight into the struggles and hardship that is faced by Asian Australians. Alice Pung puts together a lovely collection of short stories that melt the heart and its raw truth resonates well beyond the end of the book. This book is highly recommended.

0 of 0 people found the following review helpful.
Quick and interesting read
By Belinda Austin
Great combination of short stories from various authors. Interesting how different yet in some ways how similar the stories of growing up Asian in Australia during 60-90's are.

0 of 0 people found the following review helpful.
Multicultural perspectives
By Amazon Customer
A grand insight to how the other half live or more relevantly see and are seen. Great collection of short stories on life that is Oz as Asian.

See all 3 customer reviews...

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