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Disfiguring: Art, Architecture, Religion (Religion and Postmodernism Series), by Mark C. Taylor
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Disfiguring is the first sustained interpretation of the deep but often hidden links among twentieth-century art, architecture, and religion. While many of the greatest modern painters and architects have insisted on the spiritual significance of their work, historians of modern art and architecture have largely avoided questions of religion. Likewise, contemporary philosophers and theologians have, for the most part, ignored visual arts. Taylor presents a carefully structured and subtly nuanced analysis of the religious presuppositions that inform recent artistic theory and practice--and, in doing so, recasts the cultural landscape of our era.
- Sales Rank: #666370 in Books
- Published on: 1994-01-15
- Original language: English
- Number of items: 1
- Dimensions: .99" h x 8.41" w x 11.01" l,
- Binding: Paperback
- 360 pages
From Library Journal
In this compelling analysis of 20th-century art and architecture, presented from the perspective of Taylor's deconstructionist theology (as seen in his Erring: A Postmodern A/theology , Univ. of Chicago, 1987), the development of the art and architecture of the modern period is discussed in terms of a series of "disfigurings." For example, the abstract art of Kandinsky, Mondrian, and Reinhardt is seen as part of a strategy to express the Absolute through the removal of this-worldly representational (i.e., figurative) elements. Taylor is excellent in his detailed analysis of the philosophical and religious motives that contributed to the creation of the works studied. He uses the terms religious and spiritual in the abstract sense of the German Idealists, whose "theoesthetics," detailed in the first chapter, forms the philosophical backdrop for the subsequent chapters. This book covers much the same territory as Doug Adams's Transcendence with Human Body in Art ( LJ 10/1/91), though in much greater depth and clarity of analysis. Highly recommended for art, architecture, and religion collections.
- David B. Hegeman, King's Coll. Lib., Briarcliff Manor, N.Y.
Copyright 1993 Reed Business Information, Inc.
About the Author
Mark C. Taylor, Preston S. Parish Third Century Professor of Humanities at Williams College, is the author of Erring: A Postmodern A/theology and Altarity, both published by the University of Chicago Press.
Most helpful customer reviews
0 of 2 people found the following review helpful.
Five Stars
By thomas e.
Quality book in fine condition delivered in a timely way. Thanks.
14 of 16 people found the following review helpful.
disfiguring as a continuation of Taylor's previous work
By ezmny@umich.edu
If you are reading Disfiguring to get a survey of art in the 20th century, you are, for a lack of a better word, misreading Taylor's meditation on the connections between art,architecture and religion. Taylor discusses the development of European artistic modernism and its relation to philosophical and theosophical issues to reveal their interlacing connection with one another. Modernism stems, Taylor argues, from German Idealism and its attempt to totalize the world in a promise of a better life. This, combined with theosophy--a mystical, universalizing type of religion--are from the outset at the heart of modernism and modern art. He consequently expands on this position and follows its development up to the present period. Taylor appears to view the creation of art and architecture as being fundamentally religious acts. If this is the case, what does modernism say about who we are in the West? Taylor claims commodification and an obssessive fascination with the rational seem to be a part of what modern art says the West worships. As a "post-modernist" thinker, Taylor examines how we can live religiously without the totalizing claims of modernism, the violence that often comes with a society bent on rationalizing the world, and the deepening relationship between money and identity...He lays out a few suggestions and dicusses how some artists and architects are struggling with the fractured--the torn--condition of the West. A rupturing of the state of affairs in a modernist culture, he appears to say, is not a bad thing--it's maybe even necessary in order for us to understand "spirit" apart from some of the objectives of modernism. This is a remarkable book.
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